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IK Multimedia Amplitube 4 Ampeg SVX 2 Bass Amplifier Collection - Review

IK Multimedia Amplitube 4 Ampeg SVX 2 Bass Amplifier Collection - Review

IK Multimedia Amplitube 4 Ampeg SVX 2 Bass Amplifier Collection - Review

Ampeg SVX 2 Bass Amplifier Collection - Review

Amp-1

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submitted by Guitarist_Guild to u/Guitarist_Guild

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Bass Recording Combination Methods

Long... Posting this around to get as many opinions as possible.
I'm trying to figure out the best way to go about recording my bass and designing my final tone for a song I'm about to record, but the only way I can get ideas from you all is by just listing the gear I have out so I can get some viable ideas on methods/combinations of methods I could use to get this tone into my DAW cleanly.
To start, I'm designing a progressive death core bass tone that is pretty high on both the high mid and the treble region nearing 8k due to lots of high string usage and a quad tracked highly distorted guitars and the need for bass note clarity as well as defined low end being a large concern. For my audio interface I'm using a Focusrite 2i2 (simple) so two combination xlr mic/1/4 inputs.
Gear I have that may be applicable for usage in recording this: a Torpedo Captor 16 ohm active DI/Loadbox/Speaker Sim, a Darkglass Electronics Alpha Omega Distortion Preamp Pedal with an xlr DI Out and a parallel 1/4 clean output. (This is one I definitely want to use). The amp I am using is a Peavey 1x12 combo amp that is nothing special and that I mostly use for proper bass level monitoring but is useful in that it contains an fx loop as well as a xlr out and a parallel speaker out. That's all the hardware I have specifically for bass other than a few other pedals, the only one worth mentioning for this is the Darkglass Hyper Luminal Compressor, which I'm running very lightly on the front end of the amp. As far as software goes I have the IK Multimedia Ampeg Suite for Amplitube 4. To be honest I don't like it much, but I feel like if I run an xlr from perhaps my distortion pedal or amp out into my interface and blend both a signal from the hardware with a signal in parallel (maybe distorted, maybe vice-versa) from the software, I could achieve a desirable tone. It certainly wouldn't reach it on its own, in my opinion.
Could I plug my bass into the amp and then use one of my xlr cables to connect it DI from the amp to the interface? And then have a second input from the DI of the distortion preamp placed in the fx loop of said amp or even in the front of the amp right after the bass/light compression? Perhaps even doing either of those and instead of using the Distortion's DI using the clean parallel output? Lot's of options here alongside what I mention after and prior to these so you can see why I'm a bit lost in the best method to achieve a desirable tone.
So now that I've listed all my gear out and possible methods of connecting said applicable devices to my interface, I'd just like to hear from you all how you'd go about connecting these input(s) up to the interface and designing the tone from there. Should it be blended with two inputs or just have one? Things like that. It's also worth mentioning that so far my favorite sound is what I get out of the Alpha Omega Distortion Pedal from Darkglass, and I'd definitely like to use the DI out on it for one of my inputs. I'm just not sure what to do from there, as I'm not using any mics seeing as the combo amp I have is (imo) not something worth micing up and that the xlr inputs will do the job much more cleanly. Whatever you all come up with, no matter how crazy, just let me know. Thanks!
submitted by xlliilliillx to audioengineering